Cast: Suriya, Keerthy Suresh, Ramya Krishnan, Karthik
Music: Anirudh
Direction: Vignesh Shivn
The wall posters of ‘Thillu mullu’, ‘Varumayin Neram Sivapu’
and other artefacts set the mood of the film to 1980s except Suriya’s costumes.
The film opens with RJ Balaji in an interview getting rejected for job as he does
not have money to bribe the selection officers. Simultaneously we see Tambi
Ramaiya (who works as peon in CBI) requesting his higher officers to go easy on
his son in his interview. HIs son is not RJ Balaji, its Suriya. Both end up
getting rejected, but I could empathize with Rj Balaji’s character more than
Suriya’s.
Kalaiyarasan plays as Suriya’s friend who wants to be
Police, but falls prey to corrupt section process. But I really loved his
character and his story, which I enjoyed than whole film’s story. The reason
why I could not empathize with Suriya is because he takes power into his hands
and becomes Robin Hood. The film becomes heist genre but sticks with comedy and
emotions. But the problem is it’s neither heist nor emotional.
The only emotional scene that worked for me, except RJ
Balaji’s, was when Suriya talks to his dad (Tambi Ramaiyah) about his
rejection. And the way the scene ended made me laugh more than any other scene.
I loved Vignesh Shivn’s ‘Nanum Rowdy thaan’ screenplay where he mixed emotional
scenes with comedy brilliantly. In Thaana Serntha Kootam both work at parts.
The screenplay becomes predictable and the twists don’t
surprise us. Every character except Keerthy Suresh was properly used. The love
between Suriya and Keerthy was mundane. Anirudh’s Sodakku song was mind blowing
to see with visuals and other songs too was beautifully choreographed. His
background score makes a boring scene passable.
Verdict: It’s neither heist nor emotional.
And the villain was boring too đŸ¤£
ReplyDelete